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Peter Jackson pushed the future closer with Gollum in Lord of the Rings, and then Robert Zemeckis went further with The Polar Express, in using motion-capture CGI technology that basically says, “We want this particular person’s acting, and then we can make them appear however we want onscreen.” This raises some questions, I suppose, that could lead all the way to God and the universe if you let it, but there’s no doubt that we could have movies being performed by people whose forte is to perform, not just look good on camera.

And we have this pretty much in Beowulf, where Ray Winstone (best-known as Jack Nicholson’s right-hand man in The Departed) gets turned into the titular super-buff warrior who sails over to a town to defeat their monster Grendel (Crispin Glover). After a terrifying massacre in their public hall made for drinking and screwing, King Hrothgar (Anthony Hopkins) offers a handsome reward for anyone who can end Grendel’s life. Beowulf comes to town leading a small band of warriors (and what sword epic would be complete without Brendan Gleeson?), boasting (and not afraid to stretch the truth) of past adventures, falling in love with Hrothgar’s young wife Wealthow (Robin Wright Penn), and raising criticism from Hrothgar’s supposed next-in-line Unferth (John Malkovich).

Beowulf, as expected, is able to defeat Grendel, but his true test has yet to come. His weakness being seduction and vanity, he has to face off against the beautiful creature that is Grendel’s mother (Angelina Jolie). The decisions he makes here will affect the rest of his life, and of what will become of his kingdom, and he finds his life has strong parallels to even the foolish old Hrothgar.

The animation is amazing and so are the battle scenes, and there’s a pretty good story to boot, but this probably really shines in IMAX 3D, of which I was unable to see for this review. But even if you don’t see it in 3D, it’s still an overall good experience. I like the idea of a story telling of a legend that is cognizant of the nature of legends, how the truth is distorted over time to the point of exaggeration; if anything Zemeckis could have explored this even more for more fun.

I have a feeling Beowulf is only our first-generation look into what is later to come, but it’s yet another step towards progress, or the apocalypse. I’m not sure.