Welcome from The Man Upstairs: Alice in Wonderland
Tim Burton’s 3D adaptation of Alice in Wonderland is exactly as you would expect, and at this point, The Projectionist doesn’t expect much from Tim Burton.
The Crazies updates another Romero flick, and the results are pretty good.
Frozen is a good, very believable nature horror film from Hatchet’s Adam Green.
Martin Scorsese’s Shutter Island survives due to its solid story.
The Wolfman is just another awful high-gloss horror film.
From Paris With Love is your basic Luc Besson action picture, with John Travolta in his usual cracked-out action mode. Enter at your own risk.
Dear John is deflated by tons of nonsense. But who am I kidding? The target audience will eat this up and ask for seconds.
The above-average Edge of Darkness puts Mel Gibson in his first major release since 2002. Does anyone care about him anymore?
Extraordinary Measures is, of course, not that extraordinary. The Projectionist explains how it could have been better.
Peter Jackson’s The Lovely Bones is a huge step back for a well-respected director.
The Book of Eli is a decent action flick, and you might have to forgive a bamboozling twist ending, too.
Daybreakers is the cure for your New Moon blues.
2010 starts off pretty well with Youth In Revolt.
Thanks to Robert Downey, Jr., Guy Ritchie’s Sherlock Holmes is worth a look.
James Cameron’s Avatar is here. It might be received with great anticipation by most, but The Projectionist left the auditorium underwhelmed.
The Princess and the Frog is Disney’s triumphant return to hand-drawn animation.
Invictus is the latest Oscar-bait from Clint Eastwood. If only The Projectionist had a vote to stop this.