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Scott Frank is a movie-lover’s writer, a guy who has so many well-known films under his belt, including a film geek’s wet dream with Out of Sight, it’s amazing he hasn’t gotten into the director’s chair sooner, or at least become a bigshot producer.  In a way, his career is like Shane Black, who wrote tons of screenplays that became huge hits, who seemed content just to be a writer until his sorely underseen Kiss Kiss Bang Bang.  Frank’s directorial debut is about as good as movies get; let’s hope his is a little more successful.

Chris Pratt (Joseph Gordon-Levitt) crashed his car four years ago, leaving two of his friends dead and his girlfriend badly hurt.  He has been having issues with memory and inhibiting his inner monologue.  Pratt lives with another guy who once made a bad mistake that left him handicapped, the blind Lewis (Jeff Daniels).  Things are labeled for him, and he carries around a notebook to help him remember things.  He’s a bit like Guy Pearce in Memento, but not that bad.

Pratt works at a bank mopping floors after closing, visited occasionally by a cop, Ted (Sergio Di Zio), who gives him donuts.  Scoping out Pratt is Gary Spargo (Matthew Goode), who wants to rob the bank, staging a friendship and even hiring a woman, Luvlee (Isla Fisher), to be his girlfriend.  Spargo lets Pratt in on the plot once he has sufficiently been drawn in and begins to feel like the people who really care for him are the enemy.

Ah, but this is a smart thriller and the film never resorts to anything cliche.  Small bits in the film become important later, something I love in any kind of movie but especially one like this.  I’m not sure Joseph Gordon-Levitt will ever be a huge star, but the guy is a great actor and that’s what counts for those of us who watch tons of movies.  This is a difficult character to play and he does it seemlessly.  The entire supporting cast is extremely fine here, especially Daniels and Goode, but after watching Fisher steal Wedding Crashers and show good range with a limited dramatic role here, I’d like to see her more often.  Being cute doesn’t hurt.

But the real star here is Frank, who crafts a movie I’ll probably watch over and over.  It’s just excellent no matter how you slice it.  As a writer, he’s clever, and as a director, he doesn’t overindulge his own writing.  We can only hope Frank’s movie will resonate with the rest of the country; we need more movies like this.